翻訳と辞書
Words near each other
・ Charimaya Tamang
・ Charin Bood-Hard
・ Charina
・ Charina umbratica
・ Charing
・ Charing (disambiguation)
・ Charing Cross
・ Charing Cross (disambiguation)
・ Charing Cross (District line) tube crash
・ Charing Cross (Glasgow) railway station
・ Charing Cross (Northern line) tube crash
・ Charing Cross and Westminster Medical School
・ Charing Cross Bridge (Monet series)
・ Charing Cross Hospital
・ Charing Cross Hospital Medical School
Charing Cross Music Hall
・ Charing Cross railway station
・ Charing Cross Road
・ Charing Cross Road (film)
・ Charing Cross roof collapse
・ Charing Cross station
・ Charing Cross Theatre
・ Charing Cross tram stop
・ Charing Cross tube crash
・ Charing Cross tube station
・ Charing Cross, Euston and Hampstead Railway
・ Charing Cross, Glasgow
・ Charing Cross, Lahore
・ Charing Cross, New South Wales
・ Charing railway station


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Charing Cross Music Hall : ウィキペディア英語版
Charing Cross Music Hall

The Charing Cross Music Hall was established beneath the arches of Charing Cross railway station in 1866 by brothers Giovanni and Carlo Gatti to replace the former Hungerford Hall. The site had been acquired, together with Hungerford Market, by the South Eastern Railway in 1862, and incorporated into the railway station, which opened on 11 January 1864, resulting in the demolition of the hall.〔(''Advertisement for the Grand Star Company for Xmas at the Charing Cross Music Hall'' (Collect Britain), British Library ) accessed 15 Oct 2007〕
==History==
The music hall was built in the substantial two-level space formed by two of the arches of the undercroft of the station, and opened in 1867 as ''The Arches'', renamed the ''Hungerford Music Hall'' in 1883, and in 1887 became known variously as the ''Charing Cross Music Hall'', ''Gatti's under the Arches'' and ''Gatti's Charing Cross Music Hall''. By 1895, the hall boasted an attached ''grand cafe and billiard saloon''.〔
As a young man, Rudyard Kipling lived in Villiers Street, and visited Gatti's, and wrote ''My One and Only'', for a Lion Comique〔A ''Lion Comique'' was a man dressed as a 'toff', who sang songs about drinking champagne, going to the races, going to the ball, womanising and gambling, and living the life of an Aristocrat.〕 at the hall. His experiences in the hall formed the basis for his ''Barrack-Room Ballads''.〔(''Kipling and Music Hall Songs'' The Kipling Journal, March 1963 ) accessed 15 Oct 2007〕 Kipling also wrote a story called ''My Great and Only'' (1890) describing a visit he made to Gatti's.〔("My Great and Only" )〕 He wrote that the hall held ''four hundred “when it’s all full, sir”''. A weekly periodical for artistes, ''The Music Hall and Theatre'', provides a review on 23 November 1889 of a variety performance:〔(Playbill for 18 November 1889: ''Gatti's Charing Cross Music Hall, Westminster. Variety Performance, 1889'' (The British Library) ) accessed 17 October 2007〕
''Twixt Love and Duty'', Leo Dryden〔Leo Dryden was best known for patriotic songs.〕 has his hands full, to say nothing of his voice, which is equally full . . . Charles Ross, of Gaiety fame, so well known as the ''Dainty Champion'',〔Charles Ross had recently performed this role, in burlesque, at the Gaiety〕 secures rounds of applause by the rendering of his new characteristic song entitled ''She’s a real good mother'' . . . James Fawn〔James Fawn (1850-1923) was the originator of the well known music hall song, ''(If you want to know the time) Ask a Policeman''〕 wants to know who cuts the policemen out? Why the soldier whom Fawn impersonated to the very life. He does like to be in the know, you know, equally so with his hearers, who would willingly sit out a whole night with him if he’d keep them ''in the know'' all the time, but James must draw the line somewhere, so he draws it at Gatti’s.〔(Kipling's ''My Great and Only'' (notes by David Page) ) accessed 17 Oct 2007〕

Baroness Orczy, creator of the ''Scarlet Pimpernel'', described a visit to the hall at the turn of the century in her autobiography:
The only hall which appealed to we two inveterate Bohemians was a funny little one under the arches of Charing Cross Bridge where aspirants to fame were given a trial with a view to a possible engagement in one or the other of the important halls. Thus they were 'tried on the dog', as the ordeal was called, and many a famous artiste started his or her career under the 'old arches'.
I remember seeing there the début of the Levy sisters, who became such favourites and made such fortunes afterwards. There was no stage at the 'Old Arches', only a platform in the centre of the hall, where sat enthroned the manager at a rostrum when he announced each item of the programme together with the name of the artiste about to perform and tapped the desk before him with a wooden hammer. The audience sat on seats and benches all round the central platform, very much as they do round a prize-ring. A few privileged members in the audience were permitted to sit on the platform with the manager, but this privilege entailed the obligation to pay for that gentleman's drinks.〔(''Links in the Chain of Life'' Baroness Orczy ) accessed 16 Oct 2007〕


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Charing Cross Music Hall」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.